Guidelines
The rulebook for Sandy Lane — positioning, personality, audience, and the lines we don't cross. Hand this page to anyone creating on the brand's behalf.
Positioning
Essence & personality
Values
Audience
Voice rules
Full voice samples live in Voice & MessagingSandy Lane speaks in short, sun-soaked sentences with a distinctly editorial cadence—punchy, present-tense, and unapologetically sensory. The voice borrows from lifestyle magazine copy: confident declaratives, occasional sentence fragments for rhythm, and a preference for showing over telling that makes every line feel like a curated moment rather than a sales pitch.
Do
- Write in present tense
- Use short, rhythm-driven sentences
- Lead with sensory details
- Drop articles for punch
- Name ingredients like characters
- End on image, not CTA
Don’t
- Never use exclamation points
- Avoid 'we' or 'our'
- Skip generic coffee clichés
- Don't explain the vibe
- Never write 'delicious' or 'amazing'
- Avoid question headlines
Creative constraints
Don’t
- Visual: Stock tropical imagery with palm trees and sunsets
- Visual: Literal coffee bean illustrations
- Visual: Generic cafe chalkboard aesthetics
- Visual: Heavy handed Rastafarian color blocking
- Visual: Tourist brochure photography
- Visual: Overly distressed vintage textures
- Visual: Clip art hibiscus flowers
- Visual: Rustic wood grain backgrounds
- Tonal: "Island time" clichés and beach vacation language
- Tonal: Cutesy puns about coffee or bagels
- Tonal: Corporate coffee chain terminology
- Tonal: Forced Caribbean dialect or patois
- Tonal: Overly precious artisanal jargon
- Tonal: NYC superiority complex language
- Tonal: Generic "good vibes only" platitudes
- Tonal: Overly technical coffee-snob terminology
Sandy Lane needs to feel like a confident editorial brand that happens to draw from Caribbean culture, not a theme park version of it — the constraints prevent tropicalization kitsch and cafe clichés so the brand can occupy a sophisticated lifestyle space where Caribbean warmth meets New York editorial cool without being literal about either.